JANE MARTIN

Whether a Martin photograph captures the grandeur and power of nature or its subtle complexity, it is always a compelling piece of art.
— Coco Myers

“In The Break series, my photographic study of water captures the 'moment between moments' of surf, invisible to our human eye. These images reveal the inherent sensuality and power of the ocean on the East End, creating a visceral experience for the viewer. Recent winters spent in Byron Bay, Australia have led to an examination of what lies both on the surface of and below water. As evidenced in the Down Under series, I am drawn to waterways and terrains, peering down into their depths and mapping their surfaces. They walk the fine line between abstraction and representation, between the fluid and the solid, remaining ambiguous and bold at the same time. They invite the viewer to question the source: photograph or painting — and therefore the very notion of how we identify what we see. Although the images may appear altered, in this series we find that nature offers the extraordinary in the ordinary… ‘reality’ in the age of manipulation.— JM


Martin was born in Brooklyn, grew up on Long Island where she spent summers on Peconic Bay, and subsequently spent much of her adult life between France and New York City. She studied art in Tours, France under the direction of a former assistant to and student of Hans Hoffmann and evolved as an abstract painter. Exposure to artistically compelling European cinema led her back to New York City where she studied filmmaking at New York University. After a career in filmmaking in both NYC and Paris with the likes of Al Pacino and Gregory Colbert, she directed the documentary film Silent Sentries, broadcast on PBS.

In 1996 she established an art studio on the Lower East Side, returning to painting as a means of creative expression. In 2004, after nearly 15 years of city life, she moved her home and studio to East Hampton, New York, where the focus of her work shifted to the primal and powerful forces found in nature, in particular through her long love for and practice of photography.

Martin’s work has been exhibited in numerous museums, art fairs and galleries in New York City, the East End, Miami, Santa Fe, Dallas, Los Angeles, Australia, and Europe. Martin has had solo exhibitions at Guild Hall, East Hampton, NY and Islip Art Museum, Islip, NY. Her work can also be found in the permanent collection of the Parrish Art Museum, Southampton, NY; Guild Hall, East Hampton, NY; and in numerous corporate and private collections throughout the world.


The Break 3, 2018, dye sublimation on aluminum, 24 x 56 in, edition of 17 (12 available)

The Break 3, 2018, dye sublimation on aluminum, 24 x 56 in, edition of 17 (12 available)

ARTIST'S CAROUSEL

rotating exhibit of current & recently sold work


JANE MARTIN speaks to folioeast’s COCO MYERS

CM/ WHAT MEDIUMS DO YOU WORK IN?

JM/ When something calls to me, however undefined it may be at the inception, it seems to speak in the language of a particular medium. So by nature I am a multi-disciplinary artist, currently working primarily in photography and video. Each medium informs and enriches the other as their subjects refer to both the primal power and quieter mysteries of nature.

CM/ WHAT DRAWS YOU TO PHOTOGRAPHY AS A MEDIUM?

JM/ Photography is an act of intimacy. It often allows us to see what we are incapable of observing in the movement of life. The wave images were shot post-hurricane with a 300mm lens – stepping way beyond the danger zone ropes, standing in the raging sea. The format that feels most potent to me is a long horizontal, a 2.4:1 ratio called Anamorphic, that echoes cinematic widescreen. I crop my images according to this ratio, allowing the ocean ‘riffs’ to fill the screen.

CM/ WATER IS A MAIN THEME IN YOUR WORK. WHY?

JM/ Water has become one of the primary subjects of my photographs, whether the primal force of the ocean—the enormous surf of the East End—or the stillness of lakes on the easternmost point of Australia. Water also comes to a perfect stillness as reflected in my more abstract series, shot above tea tree lakes, ‘Down Under,’ once aboriginal birthing grounds. Full of depth and mystery, we find the extraordinary in the ordinary. 

CM/ WHAT BROUGHT YOU TO THE EAST END?

JM/I first came to the East End in 1998 looking for a weekend respite from New York City. I immediately fell in love with the diversity of waterscapes and its more rural areas combined with the level of cultural sophistication.


PORTFOLIO OVERVIEW